
Drama
Stories that move you

September 19, 2026 · Independent Picture House · Charlotte, NC
Charlotte's first film festival dedicated entirely to junior high, high school and early college filmmakers. If you've made something worth watching, this is your stage.
Screenings. Recognitions. A professional workshop. Live Q&A with working filmmakers. And a room full of people who came to watch what you made.
Student films are curated into themed screening blocks, each highlighting a different style of storytelling.

Stories that move you

Laughter that lands

Edge-of-your-seat tension

Fear done right

Imagination visualized

Truth told creatively

3:00 PM · Main Stage
An interactive workshop open to all attendees, featuring directors, producers, actors and creative industry professionals currently working in the Charlotte film community.
From professionals actively working in the field, not textbooks.
How a short goes from a page of notes to a finished cut on a festival screen.
Funds, grants and crews available right here in Charlotte.
Open mic with the panel — ask the questions you actually want answered.

Director · Screenwriter
Joanne has directed Academy Award, Golden Globe, Tony and Emmy award winning actors in feature films including The Ultimate Legacy, Discarded Things and Trinity Goodheart. Her latest feature, the 1966 period drama When We Last Spoke, stars Cloris Leachman, Melissa Gilbert, Darby Camp and Corbin Bernsen — it won the Austin Film Festival Audience Favorite award, premiered in theaters and broadcast on the Hallmark Channel.
A Nicholl Fellowship screenwriting finalist and Americans for the Arts workshop recipient, she has directed more than 30 episodes of true-crime television — Southern Gothic, FBI Criminal Pursuit, Ice Cold Killers and Happily Never After — for Discovery ID, A&E Biography and Lifetime.
Her documentaries include Charles Cannon: A Mind for Business, The James B. Duke Story, Laugh at Us and In the Footsteps of Elie Wiesel, streaming on Amazon and PBS. Recent work includes the award-winning Purple Dreams, which premiered to a sold-out crowd at Full Frame and at Lincoln Center, and Martin Hill: Camera Man, introduced by Leonard Maltin and shot in part on Charlie Chaplin's personal 35mm Bolex — operated for the first time in over 60 years by Hock herself.
Known for breaking glass ceilings, Joanne continues to push boundaries in an ever-evolving industry, with several screenplays and features in development.

Producer · Line Producer · UPM
Born and raised in Charlotte and a graduate of UNC-Wilmington, Jonathan is a veteran Producer and Unit Production Manager on the DGA qualification list, celebrating more than 25 years in film, television, and commercial production.
He has overseen projects for 20th Century Fox, Sony, Lionsgate, Universal, Hallmark, and ESPN — including Oprah Winfrey and Warner Bros.' Delilah and the comedy Operation Taco Gary's, both shot in his hometown. His 2024 film Unsung Hero debuted at #2 at the U.S. box office.
A sought-after authority in high-complexity logistics, he has led productions in over 15 countries, from the deserts of Jordan for FOX's Special Forces to humanitarian work in Haiti.

Director of Film Studies, UNC Charlotte
Rodney oversees the undergraduate film program at UNC Charlotte and teaches screenwriting, film history, and video production.
As a screenwriter he has written episodes for PBS Kids, Nick Jr., Disney Channel, BBC, Nickelodeon, and Sesame Workshop. He received the 2026 Silver Telly Award for his writing on PBS North Carolina's “Mini Fab Science Lab,” a 2022 nomination for “Alma's Way,” and two Daytime Emmy nominations for “The Backyardigans.”
He serves on the Board of the Charlotte Film Society / Independent Picture House. His short films “Everybody Don't Electric Slide” and “Manhood” have screened across fifteen festivals and showcases.

Actress · Casting Director
Alicia Fusting is an actress and casting director, known for When We Last Spoke (2019), An Angelic Christmas (2022) and CSI: Crime Scene Investigation (2000).
She brings both sides of the audition room to the panel — what casting directors are actually looking for, and how performers build a career on regional work.

Producer · Filmmaker · Scholarship Founder
Walter Keisling is a producer, filmmaker, and media industry professional who has spent his career telling stories that matter. He created this scholarship because he believes student filmmakers deserve a real shot — and that the cost of a submission fee should never be the reason a great story goes unseen.
Three recipients will be selected to receive a full Film Freeway submission scholarship to the On The Rise Student Film Festival. That means their submission fee is covered entirely — all they have to do is apply and make the work.
Films submitted by students from across the country and selected to screen at On The Rise. Tap a poster for details.
Previous films written, produced and performed by Creative Cornerstone students. Tap a poster for the story, cast and credits.
Professional tools. Real mentorship. Serious results. A few shorts made through The Creative Cornerstone's youth programming.
For many young filmmakers, On The Rise will be the first time their work is presented on a professional theater screen. Your partnership helps create a moment they may never forget.
Invest directly in festival production, programming and the student experience.
Food, beverages, equipment, printing, photography, videography or giveaways.
Support students through expertise, gear, programming or career exposure.
Amplify student stories through coverage, advertising, interviews and distribution.
$5,000
Our premier festival partnership — the highest level of visibility, making the whole On The Rise experience possible. Limited to one partner.
$3,500
Supports the moments surrounding student films — arrival, recognition and the experiences that make young filmmakers feel celebrated.
$2,500
Connects aspiring creatives with working professionals across film, television, acting, production and media.
$2,500
Supports the heart of the festival: student stories on the big screen in a professional screening environment.
$2,000
Supports student recognition, scholarship acknowledgment and celebratory moments throughout the day.
$500+
An accessible way for local businesses, organizations and individuals to stand behind young creatives.
$500+
$1,500+
$2,500+
$3,500+
$5,000
The festival runs on the people who show up. Pick a lane and register — it takes two minutes.
Individual students — junior high (grades 6–8) and high school (grades 9–12) — plus schools or clubs submitting on behalf of their students.
All submissions are handled through Film Freeway. Visit our Film Freeway page for full details and requirements.
Short films only — preferred length is 15 minutes or under, with a 20-minute maximum. If your film runs slightly longer, email info@creativecornerstonenc.com and we'll review case by case.
Submissions open March 1, 2026. Early Bird: April 1, 2026. Regular: May 1, 2026. Final: June 1, 2026.
Yes — a submission fee applies. All fees and requirements are listed directly on our Film Freeway page.
Teachers may provide guidance and be present on set, but cannot take on any hands-on technical role. Students must operate all equipment and hold all technical positions.
Absolutely. The festival is open to the public, and workshops are included with admission.
Independent Picture House, Charlotte, NC — a premier indie cinema venue — on September 19, 2026.
No. On The Rise is open to student filmmakers anywhere. The requirement is that you attend the festival in Charlotte on September 19, 2026.
Yes. This is a family-friendly, community-centered event.
Selected films may be featured on Creative Cornerstone's platforms with filmmaker permission.
All genres — drama, documentary, comedy, animation, horror, experimental and more. If you made it and it has a story, we want to see it.
Recognition categories will be announced based on the submissions we receive.
Email info@creativecornerstonenc.com and we'll get back to you.
September 19, 2026. One day. Hundreds of stories. Endless possibility. Whether you're submitting, attending or helping curate — be part of building something meaningful.
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